Posts Tagged ‘NaNoWriMo’

NaNoWriMo Week 5 – The End

Thursday, November 30th, 2017

It’s the end! After five long weeks, thirty long days, we’ve finally reached the end of NaNoWriMo. And guess what? Even if you reached your word count goal or not, you can still consider yourself a winner because, no matter how many words you wrote down, you wrote down something. You made some progress, and that alone is worth being celebrated.

We’re all winners today. Congratulations to everyone who participated in NaNoWriMo, and a double congratulations to everyone who reached their goal, whether that was writing a 10k novel or a 100k novel. Congratulations!

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NaNoWriMo Week 4 – Nearly At The Finish Line

Thursday, November 23rd, 2017

We’re in week four of NaNoWriMo, and that finish line is creeping closer as we speak. But… Will we make it? Here are some tips and tricks to survive the fourth week of NaNoWriMo.

  1. If you’re ahead, keep going

If you’re ahead of your targeted word count, congratulations! Now, keep going. No dilly-dallying, no focusing on other stuff, keep on writing! That you’re ahead doesn’t mean you’re there yet, I can’t tell you how many times I’ve failed right before the finish line, and I don’t want the same thing to happen to you. Be glad you’re ahead, but keep going, and don’t take any breaks until you’ve hit that marvellous finish line.

2. If you’re behind, time for a sprint

Years ago, NaNoWriMo’ers already started with word sprints, where you write as many words as you can in fifteen/twenty/thirty minutes, or even an hour, in an effort to get that word count up. Join other NaNo’ers for a word sprint or a word sprint weekend to get back on track. There’s power in numbers, and if you have other people participating too, it’ll be that much easier to reach your goal. Try the @NaNoWordSprints twitter account if you’re looking ofr other authors joining in the sprints too.

3. Keep on going, don’t give up

No matter how far you’re behind, now is not the time to give up. You’ve come this far already, don’t give up now. Even if you’ve only written 10k words so far, try for 15k. If you’ve only made it to 5k, push until you reach 10k words. You don’t have to reach that big 50k goal, any progress is progress, but now is not the time to give up.

4. If you’re getting bored, add more conflict

If your own book is starting to bore you, don’t worry, it’s perfectly natural. That’s mostly because you already know the grand resolution, the big ending that is going to tie it all together, and that takes away the tension for the author. A good way to get un-bored is by adding more conflict to your story, adding different layers, and overall, making the story more complex and intriguing. Find a way to fall in love with your story again.

5. Take it one day at a time

Don’t stress over NaNoWriMo too much. If you didn’t get your desired word count yesterday, don’t fret about it again today. Let it go, or the whole experience will have you more stressed out than anything else. Instead, focus on your progress, and be proud of any progress you’ve made so far.

I hope my tips were helpful to those of you participating in NaNoWriMo. Good luck, and see you at the finish line!

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NaNoWriMo Week 3 – What If You’re Stuck?

Thursday, November 16th, 2017

It’s NaNoWriMo Week 3 and chances are high that you’re either still going strong, typing up those words, adding those subplots and racing toward the end… or you’re stuck. Utterly and completely stuck.

Well, no worries, I’m here to help. Here are some tips and tricks that I’ve used myself every time I felt like I got stuck in a novel.

  1. Are you stuck because you can’t decide?

Sometimes you’re stuck simply because you can’t decide. You have to make a decision in your book and that decision is so daunting you don’t know if you can make it. For example, in “The Soul Thief,” I had to choose whether two characters would kiss in the book or not, and I really struggled with it. Eventually, I made a choice, but it took me several weeks just to make that choice.

If you already have an outline, it might help you not to bump into this obstacle. If you don’t, it could be helpful to make an outline, and then to look at the path your protagonist still has to make before he/she meets their end goals. Then, ask yourself: what decision should I make now that will ultimately bring the main character closer to their end goal? Decide with that in the back of your mind, and it’ll be easier for you to make a decision.

2. Look at the plot from one of your character’s point of view

This sounds a little strange, but I’ve actually done it before and for me, it worked. Try looking at the plot from your character’s point of view. This could be your main character but it could also be one of the supporting cast members. If there’s a conflict you can’t resolve, or a situation you can’t decide on, try putting yourself in a certain character’s shoes and see if he/she can come up with a solution.

You know that saying that sometimes if you look at something from a different viewpoint, using a different set of eyes, you might get a better understanding of the situation? Well, this is exactly that.

3. Add a plot twist

If you’re stuck, it might just be because your story is too boring. Especially in the middle of a book, if there aren’t enough subplots, supporting characters, or not enough tension and drama, your plot might just seem too boring. If everything is going great and everyone is happy, then obviously you’ll have a hard time as a writer because that’s obviously dreadfully boring to write about.

So, add a plot twist. Add a subplot. Add a larger supporting cast (although try not to make it too large, or you’ll be in trouble too). Spice up your plot. Subplots are strange creatures. They can actually add energy to the main plot, give a reader a different angle to look at the main plot and ultimately make a main plot even more interesting than it already is.

Plot twists do the same. If a reader thinks something is going to end up a certain way and then it doesn’t, that recharges the book’s energy and makes the reader long to go back to the main plot and find out more about it.

4. Re-activate your hero

Another reason why your plot could be in a slump is because your hero is too passive. Passive heroes are dreadful. If everything keeps happening to the hero and they don’t really respond to it, they just let it happen, then they’re just being boring, and no one likes a boring hero.

Let your hero grab the plot and kick it. Let your hero make decisions to move the plot along. Re-activate your hero.

5. Raise the stakes

Your story might also seem to drag, and you might also be stuck because the stakes simply aren’t high enough. If your main character’s end goal is to win a football competition at the end of the book, consider if this is the highest your stakes can go. Maybe if he/she doesn’t win, he/she will lose a scholarship. Or his/her parents’ approval. Or their boyfriend/girlfriend will not want to date them anymore. Raise the stakes and your plot will be stronger, and rather than drag along, it will speed ahead.

We’re halfway! If you’re stuck in your story, I hope some of my tips helped you. Good luck, and race you to the finish line.

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NaNoWriMo Week 2 – Middle of the Book Syndrome

Sunday, November 12th, 2017

It’s NaNoWriMo Week 2 which means that, if you’re still on track, you’re now reaching the dreaded middle part of your book. I don’t know about you, but I hate writing the middle part of a book. It seems like I magically make it to 20,000 words, then I panic, the plot fails, the characters abandon me, and I know where I want to be at when I’m at 50,000 or 60,000 words, but I have no idea how to fill in the middle part of the book. Or even worse, I know how to fill it in, I just can’t get the words on the page.

If you’re not suffering from this mysterious illness where you dread writing the middle part of a book so much you start to worry you might never make it to the end, congratulations. But for most of us regular folk who struggle from middle-of-the-book-syndrome, here are some helpful tips to get through it (mostly) alive.

  1. Outline, outline, outline

I’ve said it before but when you have an outline that is strong enough that you can hold on to it when things get tough during writing, then your outline is your lifeline. You don’t know what will happen next? Your outline knows. You lose track of where you’re supposed to be headed when writing your plot? Your outline knows.

Trouble staying focused on your character’s end goals? Check the outline.

For Marisol Holmes, most of my middle arc relied on building up tension and trying to solve the mystery, it involved dropping clues about the mystery and meanwhile showing off minor characters. It was, as it’s with most of my books, the hardest part to write (in comparison, I find it much easier to write the ending of a book, or the beginning) but it’s where the character develop, where we get minor resolutions, where the reader gets to connect with the characters. Don’t rush through the middle of your book, but polish it until it shines…except not in NaNoWriMo, where time is off the essence. Here you can rush, rush, rush, just make sure it still works.

2. Add minor subplots and find resolutions for them

You can fleshen up your middle part of the book by adding minor subplots and preferably, also giving resolutions/endings to these minor subplots. For example, if a minor subplot of your book is that characters A and B are fighting over something stupid, you can have them resolve their argument in the middle part of your book, so that is out of the way for the grand finale.

In “A Study in Shifters”, my subplots mostly included character relationships, Marisol finding clues and trying to connect the dots of the case she was working on.

3. Add minor characters

This is especially important if you’re writing a series but works for a single book as well. There’s no use introducing all of your characters right at the start of the book. You can keep the introduction of minor characters for the middle part of your book.

4. Raise uncertainty about your character’s goals

Another often-used plot device is to raise uncertainty about your character’s goals. Take a romance book for example – in the beginning the characters meet or if they’re already in love, everything is going fine. The middle part of the book is used to build tension, and is usually the part where the characters are driven apart, and in the end, they usually get together again.

For Marisol Holmes, solving the case seems daunting in the middle part of the book, nearly impossible. The reader might start to wonder if she’s ever going to solve the case at all, thus doubting the character’s goals.

5. Add plot obstacles

When it’s easy for your protagonist to get from the beginning to the end of your book, to reach their goals without much trouble, then your book won’t be very exciting. Instead, use the middle part of your book to add minor plot obstacles. This could be things like misunderstandings between characters, physical obstacles, but it can also be the main character dicovering his/her goals might be different than he/she first thought as well.

In “A Study in Shifters”, some of the clues Marisol finds make her question her previous findings. She also learns some unsettling news that forms an obstacle for her too. These minor plot obstacles carry the plot along and add some tension.

I hope these tips help you battling middle-of-the-book-syndrome and urge you to keep on going with NaNoWriMo. Good luck!

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NaNoWriMo Week 1 – Tips and Tricks

Sunday, November 12th, 2017

It’s NaNoWriMo! As usually, I’m participating in this event. I’ve been participating for the last five years and although I didn’t always win, I usually do. This year will be extra tough, though, since I’m also starting a new job in November. So, finishing that novel in one month will be extremely difficult, but I like a challenge, so I’m going for it.

To help everyone participating in NaNoWriMo (and to help myself too, of course), I’ve put together a handy list of tips and tricks.

  • Set your goal

Back in the old days, NaNoWriMo meant writing a 50,000 word novel. But now, the rules are slightly more relaxed. 50,000 is still the norm, but if your novel will be 60,000 words, or even 100,000 all of that is allowed. In fact, the more words, the better! My books are usually between 60-80,000 words. I never quite know beforehand how long the book will be, but I do have a general idea, so I have to plan accordingly. Writing 50,000 words in one month is about 1,667 words a day, but if you’re writing a longer novel, then you’ll have to pen down more words a day.

  • Don’t stop writing when you’ve reached your quota

Surprisingly enough, I see many authors who call it a day once they’ve reached their desired quota for the day, either 1,667 words or more. Don’t! Why would you not continue to hit that next mark, maybe 2,000 words? And if you’re still feeling inspired, nobody or nothing is stopping you from hitting 5,000 words or more in a single day. The quota is there for the days you might not be able to write, the days you might not hit that mark because life happens, or because your inspiration is gone, or God knows what else. But if you’re feeling inspired, keep writing!

  • Make an outline

I used to just write. I didn’t have an outline, at most I had a vague idea of who my main characters and what I wanted to happen. Now, I always use an outline. You can’t fast draft without one, really. When you’re feeling low on inspiration, when you don’t know how to get from point A to point B and you only have thirty days to finish the book, then you don’t have a lot of time to sit around and wait until inspiration hits you and you find a way to bring your characters to the desired point. That’s where your outline is your lifeline. It will help you find inspiration, come up with ideas, and it will keep the path straight when you don’t know what should happen next, or forgot your end goal, the outline is still there.

  • Stray from your outline – sometimes

However, although I’m all for outlines, I don’t think you should see it as a Holy Grail. You can derail from the outline from time to time. When you have a marvellous idea, when the characters demand a certain scene, when you find an even better solution to a problem, there’s no reason why you should stick to your outline no matter what. This is part of the creative process, and it’ll make your novel so much better if you just follow the path creativity takes you on, without hanging on to that outline for dear life.

  • Turn off your inner editor

This is an important tip too. Turn off your inner editor. Even when you’ve caught a typo on the sentence above the last one you just typed, let it go.”Ain’t nobody got time for that” is your new life’s motto when it comes to NaNoWriMo. You don’t have time to go back and edit and re-edit that paragraph until it shines, you have to continue on and write your next paragraph, or you’re not going to make it.

So, there we are, my tips for NaNoWriMo. I’ll have some more NaNoWriMo tips and news for you next week. Meanwhile, for those of you participating in the event, good luck and happy writing!

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NaNoWriMo: Preptober Week 4

Wednesday, October 25th, 2017

Hello, my pretties, and welcome back to NaNoWriMo: Preptober planning! If you missed an earlier post, have no fear! Here are some helpful links:

Week 1: Preplanning

Week 2: The Who, What & Where of Your Novel

Week 3: Outlining Your Novel

And now, for Week 4! We’re in the home stretch, so this post will focus on the practicality of writing, creating a habit that will get you in the chair every day for thirty days.

Because remember: butt + chair = productivity.

1. Break it Down

I’ve said it before, but it bears repeating: 50,000 words in thirty days is a huge task. The best way to tackle it is to break it down into smaller, manageable chunks.

Breaking out (and dusting off) my handy calculator, I note that this translates to 1666.66 words/day. I recommend rounding that up to 1700 words/day or about 5.5 pages. This gives you a 1000 word cushion because, yes, my pretties, you will have some days when you write 2500+ words like a freaking goddess and other days where you’re struggling to get 10 words on the screen/page.

And you know what? That’s perfectly normal. I’ve written 7 novels and 1 novella now, and that’s been my daily experience. Having daily goals helps me let go of my disappointment if I don’t hit goal every day. With some days better and some days worse, it’ll all come out in the wash.

But yes, it does mean writing every single day, which is good, because even more important than getting your 50K novel written, NaNo is best for creating a habit of writing.

So lock in those daily goals and track them somewhere you can see your progress at a glance. I use this Writing & Revision Tracker by Jamie Raintree. It’s worth the cheap price, and it will tally your productivity through the whole year. I love it.

If you’re not into high tech, a simple notebook or Bullet Journal will do.

2. Butt in Chair

Carving out writing time can be a serious challenge because a lot of us are super busy. The best way to do this is to look closely at your daily schedule and make a change.

Do you linger in bed for a half hour, looking at your phone? Do you spend hours on FaceBook? Are you level gajillion in your fave RPG? Are you binge-watching Netflix?

Use that time to write instead.

Get up early. Stay up late. Miss your favorite TV show. Get off FaceBook. Do you want people to remember that you Liked their page 10,000 times or that you wrote that awesome book they loved?

3. Turn off the Inner Editor

Okay, so you have your daily goals and your butt is in the chair. You’re staring at that blank page, and it is intimidating you the way Darth Vader intimidates Death Star employees. Your inner editor is telling you how much you suck, that your writing’s no good.

What now? 

Relax. Turn on some music that inspires you. Light a scented candle. Take a few deep breaths. Go over your outline.

Most importantly, let go of the idea of writing perfectly. Give yourself permission to suck. Give yourself permission to write crap. 

No writer, not even the most famous, most talented writer gets it right on the first try. You may have heard that “perfect is the enemy of good.” That’s more true than I can say.

More importantly, you can’t edit a blank page. And NaNo isn’t about creating a perfect bestselling novel right out of the gate. It’s about gathering your materials, getting the bones of your story down, shoveling sand into the sandbox so you can build sandcastles later.

So shovel away, my pretties. Silence the inner editor and let the words flow. Even when they suck.

4. Shut Out Those Distractions

You’ve probably also heard that writing is 10% getting words on a page and 90% staying off the Internet. This is also true. We have a million distractions at our fingertips every day. Cell phones, Internet access, TV, family, work…

First, I use noise-canceling headphones to cocoon myself in music. Not only does this close out unwanted sounds, it also signals to others in my vicinity that I don’t want to be engaged. Even if you don’t actually listen to music, have the headphones in, especially if you write at the local Starbucks.

The rest is about looking shrewdly at your habits and changing them.

  • Do you check your phone incessantly? Leave it on your nightstand.
  • Do you check the Internet all the time? Use Write or Die or another program that shuts you out of your fave sites.
  • Do you have trouble focusing? Break up your writing sessions into sprints. I use the Pomodoro technique, which breaks up your sessions into 25 minutes of work with a 5 minute break. This allows you to stretch, freshen up your coffee (tea for me!), hit the bathroom, check to make sure the kids aren’t playing Hunger Games… You know, normal stuff.

Getting rid of those distractions is key to productivity, and who knows? Less time on the Internet might just be a good thing, too.

5. Keeping motivation high

You might find that the first few days you’re really excited, and it’s easy to get motivated, but then, as the month plods onward, you realize what a lot of writers already know:

Writing is super isolating! There’s no one to pat you on the back, no one to loom over you and make sure you’re hitting your goals. It’s just you, baby. And that can be hard.

That’s where NaNo really excels. NaNoWriMo has an entire community you can engage with. From pep talks by famous authors like Neil Gaiman and Charlaine Harris to forums to special events, there’s enough here for introverts and extroverts, plotters and pantsers alike.

One of my personal tricks when motivation is low is to watch short scenes that inspire me. Those climactic battles, tear-jerker endings, heartfelt admissions. I find that reminding myself of the story moments I love helps motivate me to go write my own.

You can also try things like: taking a walk, working out, taking a shower, drawing, coloring–any endeavor where your body can move and your subconscious can be free to just…drift.

All right, my pretties! That’s all for now. I hope these posts have helped make your Preptober the best one yet!

If there’s a topic you’d like me to cover in NaNo November, drop me a line here, and I’ll do my level best.

Slán go fóill!

~GIE

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NaNoWriMo: Preptober Week 3

Wednesday, October 18th, 2017

Welcome back, my pretties, to Preptober: Week 3! Last week, we discussed the who, what, and where of your story–your main character (MC), their Goals, Motivations, and Conflicts, and how to detail your setting.

This week, we’ll go a little deeper into the what. Namely, what happens in your book, the plot.

But first, it’s good to know that there are two basic different types of writers: plotters and pantsers. Like it sounds, plotters plot out their “what happens,” while pantsers dive right in, writing away until their plot becomes evident. They “fly by the seat of their pants,” as it were.

Full disclosure: I’m a plotter with pantsing tendencies. That is, I plot heavily, using a structured outline, but if/when my characters diverge from that, I let them. Especially in the early drafting stages.

Why am I telling you this? Because my Week 3 is mostly about plotting. If that’s not your jam, don’t worry! There are plenty of articles out there for pantsing like this one from Janalyn Voight.

All righty, plotters, get ready.

Step 1: Write the short version

Through much trial and error, I’ve found that having a one-sentence pitch or summary is a great way to stay on track. It condenses your story, distilling it into its component parts.

So, write this first! In the dark of night, when you’re out in the weeds with your plot, you can come back to this to remind yourself “What in the heck am I writing again?”

I use the following template:

When [OPENING CONFLICT] happens to [MAIN CHARACTER], they have to [OVERCOME CONFLICT] to [COMPLETE QUEST].

Let’s try it for a few well-known books:

When Katniss Everdeen volunteers for the inhumane and violent Hunger Games to save her sister, she finds herself a pawn in the corrupt Capitol’s plan to pit teenagers against each other in a brutal game of death.

When Harry Potter finds out he’s no ordinary boy but a famous wizard, he must master the classes at Hogwarts School of Witchcraft and Wizardry to fight the world’s most deadly and infamous evil wizard, Voldemort.

See? I told you it works. 😉

If you’re having trouble with this, go back to Preptober: Week 2 and review.

Another great side effect is that you can use the one-sentence summary to query agents, publishers, editors, etc. Also, say goodbye to dreading the question, “What’s your story about?” Now when someone asks, you have a ready-made answer!

Step 2: Outline

I know, it sounds like a horrible waste of time. I promise you, it’s not. To “win” NaNoWriMo, you have to write 50,000 words in 30 days. Even the most professional writer needs help to stay on task at that rate!

There are many different ways to outline, and I’ve found it’s more of a personal choice than anything else. Here are some of my favorites:

1. Blake Snyder’s Save the Cat: A bit dated, but this book on screen-writing is invaluable for breaking down story into its necessary “beats.” Its easy to read and concise, and the website has beat sheets from several famous movies like Guardian of the Galaxy, Jaws, E.T., and many other movies.

Save the Cat is what I use, but try it out for yourself. Every writer is different, and your mileage may vary.

2. Donald Maass’s Writing the Breakout Novel: This novel from an industry expert details all the necessary elements of a next-level story–from emotional impacts to universal appeals and ways to make your story rise above the crowd. There’s also acompanion workbook with exercises.

3. Robert McKee’s Story: A lot of people swear by this book, which is why I’m including it. McKee breaks down story structure and character and how they relate. Very intensive and exhaustive.

In addition to these fine sources, there are tons of sites and blogs about NaNo outlining like this one from Sofia Wren on using postcards to plot out your characters, setting, etc.

No matter what outlining style you use, there are a few things to remember when plotting your story:

 

1. Remember your favorite books? Chances are, the characters were interesting and dynamic, and the plot was filled with dramatic, memorable events

2. To hook readers, use universal emotions: love, hate, jealousy, hope, anger, fear, etc. Readers relate easiest to characters who feel the things they do.

3. Don’t be afraid to hurt your character. A story in which nothing bad happens isn’t much of a story.

4. Have internal AND external conflict. A story with only internal conflict will seem to happen only in the MC’s head while a story with only external conflict will make a character feel emotionally distant. Ask: what does the MC stand to lose–emotionally and physically? To gain?

5. Don’t be afraid to be original. This is often the challenge of writing–how do you create something original yet also appropriate for your genre? You learn the rules of your genre, and then you break them. Purposefully.

6. Keep tension rising. In Star Wars, notice how Luke fights Tusken raiders, then stormtroopers, and only AFTER THAT, he fights Darth Vader. If he fought Vader first, the rest would seem anticlimactic. The same goes for your story–keep the action rising, the stakes rising, and the tension will rise as a result.

 

And that’s plotting in a nutshell. Go forth and conquer, my pretties!

Slán go fóill!

~GIE

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NaNoWriMo: Preptober Week 2

Wednesday, October 11th, 2017

Hello, my pretties, and welcome back to Preptober: Week 2!

Last week, we went over a few things to prepare you for diving into NaNoWriMo on November 1st. This week, I’ll talk about my own process for outlining and developing a novel.

And now the obligatory credentials post: I’m a senior editor for a romance e-publisher, and I’ve helped hundreds of authors design, develop, and outline their novels.

I find it’s helpful to start basic: with the who, what, and where of your novel.

 

1. Who is the story about?

Every story needs a protagonist/main character (MC), and this is a great first step in planning. Designing your MC can help you nail other details down, too. As you develop her, you’ll naturally answer some questions that can be great fodder for conflict and development.

Let’s get started.

If you’re anything like me, it helps to have a few pictures for reference. I find working from a picture can give me things beyond a character’s appearance. It can inspire attitude, wit, strengths–three of the things that make your MC stand out.

My default is Pinterest, and you can see some of my Pinterest boards for Syl Skye, Rouen Rivoche, and other characters from CIRCUIT FAE here.

Once I have my picture, I start asking questions like the ones below. Feel free to skip questions entirely or skip and come back to them.

The idea is to kickstart your creative brainstorming by creating a “character sheet.”

Here are some of the questions I ask:

  1. What is her occupation? Does she enjoy this?
  2. Where was she born? Parents? Siblings?
  3. Where does she live? Does she like it there?
  4. Physical Description: What does she look like?
  5. How do her friends see her? Her enemies?
  6. Who are her friends? Her enemies? Why?
  7. Who are your real-life or fictional inspirations for this MC?
  8. What are her strengths?
  9. What are her weaknesses?
  10. What quirks does she have?
  11. What does she have to overcome in the story?
  12. Does she have a love interest?
  13. How is she better when she’s with her love interest?
  14. What’s keeping them apart?
  15. Describe her bedroom from her point of view (POV)
  16. Add any question you deem important

 

The goal is to create a memorable MC with strengths, weaknesses, quirks, wants, desires, and conflicts to overcome. To keep the reader’s interest, your MC must be interesting and out of the ordinary in some way, however small. 

For more on in-depth character creation, I recommend Donald Maass’s Writing the Breakout Novel.

 

2. What is your story about?

This one can be tough to lock down, but I find that if you’ve done your homework above, some of this is already taking shape, especially if you are writing a character-driven novel.

The “what” will be shaped by your MC’s Goals, Motivations, and Conflicts (GMCs).

This can be boiled down to three questions:

Goals: What does the MC want?

Motivations: Why does she want it?

Conflicts: What’s keeping her from getting it? 

 

Take Luke Skywalker in Star Wars: A New Hope

Goals: To join the Academy

Motivations: Tatooine is hella boring

Conflicts: His aunt/uncle need him on the farm

 

I know what you’re thinking: Luke’s GMCs change as the story progresses. That’s true! And it’s perfectly all right. As an MC grows, he’s bound to change. Thus, his GMCs change. For now, though, worry about starting GMCs.

NOTE: the more “universal” you can make your MC’s GMCs, the easier you’ll snag the reader’s sympathy/empathy. So use universal emotions: love, hate, fear, jealousy, desire, honor, sorrow, etc.

I’ve always said, No one wakes up in the morning and says, “I’m going to save the world today!” No. Luke wants to go to the Academy, to follow in his father’s footsteps. This is something most people understand. It’s also what leads him to saving the world.

Likewise, Rey wants to find her family, to find acceptance, to survive. Bilbo just wants to be able to have second breakfast in peace.

So, for GMCs, universal emotions are best. Your MC’s GMCs will form the backbone of your plot.

 

3. Where is it set? The time and place

Setting is super important! A good setting is like a character in and of itself, and it’s good to have a bead on this early on.

Again, go back to your character sheet. Have you designed a plucky space pilot? A New York caterer? A down and out gumshoe? An MMA fighter? A dark Fae exiled from her people? Likely, details from your character sheet will inform the type of setting you’ll want.

In addition, if you’ve done your reading-in-the-genre homework, you’ll have a good idea of what settings your genre supports. But don’t be afraid to mix it up! While many fantasies are set in a secondary world like Tolkien’s The Lord of the Rings, others are set in near-modern times like Clare’s The Mortal Instruments.

The important part is to choose a setting the MC can have opinions and feelings about. The setting isn’t going to have dialogue. It’s not going to be overt. It’s subtle, and we learn about it THROUGH the MC.

Thus, we learn that Tatooine is desolate, sandy, and boring because Luke experiences it like that. Plus, it INFORMS his character and lets us relate to him. Being on Tatooine with him, we also long for excitement. That’s why maybe we don’t feel so bad when Uncle Owen and Aunt Beru get turned into crispy critters–because we know we’ll be leaving boring old Tatooine for adventure!

All righty! You should have your who, what, where now. Come back next week for bringing those together to drive your plot and conflict.

 

Slán go fóill!

~GIE

 

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NaNoWriMo: Preptober Week 1

Wednesday, October 4th, 2017

Hello, my pretties! November is coming up fast, and we know what that means–NaNoWriMo!

For those who might not know, NaNoWriMo is National Novel Writing Month. It happens in November, and it challenges writers of all skill levels to complete a rough draft of approximately 50,000 words in one month.

That’s one huuuuuuuuuge task! But I’m here to help you break that huge task down into smaller, more manageable chunks, and soon, you’ll be on your way to completing that 50,000 word draft.

But first, we have to prep. And that, my pretties, is what October (Preptober) is for.

I know, I know. It’s awfully tempting to just wait until November 1st and then dive in all gleeful and in love with the shiny newness of writing our novels. But what I’ve seen is that people who don’t prep don’t finish. They lose the shiny about a week in.

Why? Because writing is hard work. It’s wonderful, but it can be very isolating. The blank page can seem like a monster just waiting to eat up your writing time and leave you with nothing but self-doubt and discouragement. Middles can sag. Endings can elude us. It can seem impossible to even start!

If you really want to hit the ground running on November 1st, then Preptober is essential.

Good news: I’m here to guide you through it!

Being successful at NaNo depends mostly on developing a habit of writing. After all, if you can’t get your butt in your writing chair, you’re not going to get many words on the page.

So say it with me: butt + chair = word count

It sounds silly, but if you’re serious, this will become your mantra in the next few months.

Okay, down to brass tacks: How do you start?

1. Learn more about NaNoWriMo

If you’re new to NaNo, head on over to the NaNoWriMo website and poke around. Start an account if that appeals. If not, no worries! The key to your best productivity is not going to be Use All the Things! Instead, it’s going to be: Use the Things That Work For You.

2. Start brainstorming!

It’s never too early to start brainstorming. If you’re lucky, you might have that awesome novel idea that’s been burning in the back of your brain–the one you just can’t wait to get out on the page. If you’re like that, great!

But if you’re not, you’ll want to start with some questions: What are my favorite books? Why did I enjoy these books? How did reading these books make me feel? Is that what I want my readers to feel? If not, then what emotions do I want to get across to my readers? If I could write any one novel and it’d be an overnight success, what would I write about?

This blog post by Denise Jaden gives some more ideas for harnessing passion to get you through your draft. I love her idea of creating a mission statement!

The key is to jumpstart your brain and your creativity. Ideally, you want a project you’re not just excited about but THRILLED about. That’s what’s going to keep your butt in the chair when the shiny wears off.

3. Gather Supplies

Whether it’s in a notebook or an app, you’ll need somewhere to jot all these ideas down. It’s a good idea to spend some time checking out the different systems like the Bullet Journal for Writers or apps like EverNote.

I use a Bullet Journal spread for monthly word count calculations along with EverNote. Since I’m often away from my desk when inspiration strikes, it’s good to have a note app that syncs across all devices.

You’ll also want to decide whether you’ll be using an app, MS Word, Scrivener, or some other program to do your daily writing. Try them out and see what works for you. There are countless programs. Some, like Scrivener, are very robust. Others are much simpler.

Again: the key is what works for you. After browsing Bullet Journaling for five seconds, you can see how easy it is to fall down the rabbit hole. You can spend entire days doing Scrivener tutorials.

I probably don’t have to tell you that the time you spend checking out cool BuJo spreads and playing around with Scrivener is time you’re not writing. And that’s the whole point of NaNoWriMo, right?

To write a novel!

So I caution you to choose something that fits your needs over your wants. Trust me, you don’t need all the bells and whistles. Too much, and it’s just another noisy distraction.

My advice is: use the simplest solution that fits your needs.

4. Read in Your Genre
If you haven’t already, start reading in your genre now. Go online and search for the most popular books in your genre. See if any appeal, and start reading! The best way to get a sense of a genre is to read in it.

If you’re already pretty well versed in your novel’s genre, I recommend re-reading an old favorite, something that gets you fired up and excited about the genre.

Begin reading like a writer. Notice the cadence of the words. Note when you feel excited and when you’re turning the page. Try to see how the author accomplished that. Also note when you’re bored and skimming. Unpacking other authors’ techniques is a next-level writing skill that takes time to develop, but being aware is step one!

5. Come back next week for Preptober: Week 2!

That’s all for now, my pretties! Go forth and conquer. And if you’d like to find me on NaNo, I’m GirlyEngine. 🙂

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